![]() But when the listener examines the song in context of the album, he discovers Lamar beating his chest and screaming in the voice of his teenage self, cocky and full of air. The pulverizing beat (created by Hit-Boy, the same hip-hop mastermind who penned the beat for Jay-Z and Kanye’s smash hit “N****s in Paris,”) pumps with an 808 heartbeat below lyrical content that wouldn’t sound out of place on a typical Game or Dr. “Backseat Freestyle,” for example, sounds at first listen like a typical club banger. This narrative form allows for some interesting creative liberties. The narrative, combined with Lamar’s ability to make subtle observations within catchy, clever lines, makes “good kid, m.A.A.d city” the most powerful hip-hop release of the year thus far. In doing so, it teaches the rest of us something about the streets. 80.” Told in powerful narrative form, the album traces Lamar’s journey from being a teenager growing up in Compton to his current status as one rap’s best up-and-coming artists. “I’m gonna teach you something about the streets,” MC Eiht spits on “m.A.A.d city,” the eighth track on Kendrick Lamar’s “good kid, m.A.A.d city” release, which is really the most apt way to sum up Lamar’s brilliant follow-up to 2011’s “Section.
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